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+ --------------------------------------------------
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+ Question (with Run Index): It’s not Charlie Parker, but a musician[0] with this surname arranged
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+ excerpts[1] from Stravinsky’s The Firebird[2] and the “Goin’ Home” theme from the[3] New World
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+ Symphony.[4] Another album by a musician with this[5] surname features chants from the[6] Bhagavad
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+ Gita and solos by Pharoah[7] Sanders.[8] A song by a musician with this surname[9] features Elvin
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+ Jones on timpani[10] and gong.[11] A set of chord substitutions in a ii-V-I[12] (“two-five-one”)
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+ progression that[13] proved challenging for pianist[14] Tommy Flanagan are called this surname’s[15]
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+ “changes.” For 10 points, give[16] this surname of harpist Alice and[17] her husband, the
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+ saxophonist behind[18] the album Giant Steps.[19][20]
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+ Gold Answer: Coltrane
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+
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+ +-----+-----------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+ | Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution |
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+ +-----+-----------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+ | 0 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.03 | 0.03 | 0.0 |
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+ | 1 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.02 | 0.02 | 0.0 |
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+ | 2 | It’s not Charlie Parker | 0 | 0.04 | 0.04 | 0.0 |
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+ | 3 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.03 | 0.03 | 0.0 |
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+ | 4 | It’s not Charlie Parker | 0 | 0.04 | 0.03 | 0.0 |
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+ | 5 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.05 | 0.0 |
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+ | 6 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.03 | 0.03 | 0.0 |
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+ | 7 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.03 | 0.0 |
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+ | 8 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.03 | 0.0 |
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+ | 9 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.03 | 0.0 |
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+ | 10 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.03 | 0.0 |
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+ | 11 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.03 | 0.0 |
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+ | 12 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.03 | 0.0 |
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+ | 13 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.06 | 0.03 | 0.0 |
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+ | 14 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.07 | 0.04 | 0.0 |
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+ | 15 | It’s not Charlie Parker | 0 | 0.05 | 0.03 | 0.0 |
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+ | 16 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.06 | 0.03 | 0.0 |
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+ | 17 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.02 | 0.0 |
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+ | 18 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.02 | 0.0 |
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+ | 19 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.07 | 0.03 | 0.0 |
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+ | 20 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 1 | 0.39 | 0.0 |
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+ +-----+-----------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+
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+ System Score: 0.0
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+ --------------------------------------------------
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+
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+ --------------------------------------------------
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+ Question (with Run Index): An equation used in this technique relates[0] the resolving power of one
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+ component[1] to the mass-transfer, diffusion,[2] and Eddy-diffusion effects that[3] may result in
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+ the broadening of[4] peaks.[5] The low-specificity of one component[6] of this technique is
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+ referred to as[7] that component’s “general problem.”[8] A simple variant of this technique[9]
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+ involves dipping a piece of paper[10] in iodine and visualizing the paper[11] with UV light.[12]
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+ The time a compound spends attached[13] to a column in this technique is referred[14] to as the
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+ retention time.[15] For 10 points, name this technique in[16] which an analyte in a mobile
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+ phase[17] is separated based on its ability[18] to interact with a stationary phase.[19][20]
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+ Gold Answer: chromatography
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+
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+ +-----+---------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+ | Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution |
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+ +-----+---------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+ | 0 | retention time | 0 | 0.02 | 0.02 | 0.0 |
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+ | 1 | velocity | 0 | 0.0 | 0.0 | 0.0 |
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+ | 2 | retention time | 0 | 0.0 | 0.0 | 0.0 |
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+ | 3 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 |
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+ | 4 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 |
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+ | 5 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 |
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+ | 6 | The velocity of each component depends on its chemical nature | 0 | 0.0 | 0.0 | 0.0 |
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+ | 7 | Paper chromatographyPaper | 1 | 0.05 | 0.05 | 0.05 |
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+ | 8 | Paper chromatographyPaper | 1 | 0.01 | 0.01 | 0.01 |
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+ | 9 | Paper chromatographyPaper | 1 | 0.03 | 0.03 | 0.03 |
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+ | 10 | Paper | 0 | 0.07 | 0.06 | 0.0 |
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+ | 11 | Paper | 0 | 0.0 | 0.0 | 0.0 |
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+ | 12 | Paper chromatographyPaper | 1 | 0.0 | 0.0 | 0.0 |
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+ | 13 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 |
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+ | 14 | Paper chromatographyPaper | 1 | 0.1 | 0.08 | 0.08 |
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+ | 15 | Paper chromatographyPaper | 1 | 0.1 | 0.07 | 0.07 |
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+ | 16 | Paper chromatographyPaper | 1 | 0.01 | 0.01 | 0.01 |
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+ | 17 | Paper chromatographyPaper | 1 | 0.0 | 0.0 | 0.0 |
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+ | 18 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 |
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+ | 19 | Paper chromatographyPaper | 1 | 0.02 | 0.01 | 0.01 |
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+ | 20 | Paper chromatographyPaper | 1 | 1 | 0.64 | 0.64 |
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+ +-----+---------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+
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+ System Score: 0.92
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+ --------------------------------------------------
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+
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+ --------------------------------------------------
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+ Question (with Run Index): The 10th century Suda encyclopedia records[0] that this figure was
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+ either[1] killed by Tantalus or committed suicide[2] after King Minos took him to Crete.[3] In the
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+ Argonautica, this figure accuses[4] Eros of cheating after losing to[5] him in a game of dice.[6]
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+ Ancient art typically depicts this figure[7] rolling a hoop and holding a[8] cockerel.[9] Hermes
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+ gives either two horses that[10] are fast enough to run on water or[11] a golden vine to this
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+ figure’s father[12] Tros.[13] While he was herding sheep, an eagle[14] brought this figure from
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+ Mount Ida[15] to Mount Olympus.[16] For 10 points, name this youth abducted[17] by Zeus to succeed
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+ Hebe as cupbearer[18] to the gods.[19][20]
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+ Gold Answer: Ganymede
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+
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+ +-----+-------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+ | Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution |
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+ +-----+-------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+ | 0 | Hermes | 0 | 0.0 | 0.0 | 0.0 |
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+ | 1 | Ganymede | 1 | 0.53 | 0.53 | 0.53 |
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+ | 2 | Ganymede | 1 | 0.0 | 0.0 | 0.0 |
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+ | 3 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 |
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+ | 4 | Ganymede | 1 | 0.0 | 0.0 | 0.0 |
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+ | 5 | Plato | 0 | 0.0 | 0.0 | 0.0 |
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+ | 6 | Crete | 0 | 0.0 | 0.0 | 0.0 |
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+ | 7 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 |
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+ | 8 | Ganymede | 1 | 0.0 | 0.0 | 0.0 |
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+ | 9 | Ganymede | 1 | 0.0 | 0.0 | 0.0 |
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+ | 10 | Hermes | 0 | 0.0 | 0.0 | 0.0 |
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+ | 11 | Zeus. | 0 | 0.0 | 0.0 | 0.0 |
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+ | 12 | Zeus. | 0 | 0.0 | 0.0 | 0.0 |
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+ | 13 | Zeus. | 0 | 0.0 | 0.0 | 0.0 |
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+ | 14 | . | 0 | 0.0 | 0.0 | 0.0 |
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+ | 15 | Zeus. | 0 | 0.0 | 0.0 | 0.0 |
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+ | 16 | Zeus. | 0 | 0.0 | 0.0 | 0.0 |
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+ | 17 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 |
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+ | 18 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 |
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+ | 19 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 |
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+ | 20 | Ganymede by the German astronomer Simon Marius. | 1 | 1 | 0.47 | 0.47 |
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+ +-----+-------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+
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+ System Score: 1.0
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+ --------------------------------------------------
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+
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+ --------------------------------------------------
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+ Question (with Run Index): A painting of Cupid hangs in the background[0] of a painting by this
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+ artist[1] in which a man leans over a seated[2] woman holding sheet music.[3] In another painting
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+ by this artist,[4] the central figure clutches her breast[5] as she looks up at a glass ball[6]
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+ suspended from the ceiling by a blue[7] ribbon.[8] Many paintings by this artist depict[9] the same
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+ corner of a studio, often[10] decorated with a large map, with a[11] window on the left wall.[12]
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+ In one portrait, this artist used lead-tin[13] yellow for the dress of a woman[14] wearing a blue
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+ apron and pouring[15] a jug.[16] For 10 points, name this Dutch Golden[17] Age painter of The
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+ Milkmaid and Girl[18] with a Pearl Earring.[19][20]
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+ Gold Answer: Johannes Vermeer
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+
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+ +-----+--------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+ | Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution |
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+ +-----+--------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+ | 0 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.03 | 0.03 | 0.0 |
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+ | 1 | A painting of Cupid hangs in the background | 0 | 0.01 | 0.01 | 0.0 |
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+ | 2 | A painting of Cupid | 0 | 0.03 | 0.03 | 0.0 |
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+ | 3 | A painting of Cupid | 0 | 0.02 | 0.02 | 0.0 |
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+ | 4 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.01 | 0.0 |
140
+ | 5 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.01 | 0.01 | 0.0 |
141
+ | 6 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
142
+ | 7 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
143
+ | 8 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
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+ | 9 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
145
+ | 10 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
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+ | 11 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
147
+ | 12 | A painting of Cupid | 0 | 0.02 | 0.01 | 0.0 |
148
+ | 13 | A painting of Cupid hangs in the background | 0 | 0.01 | 0.01 | 0.0 |
149
+ | 14 | A painting of Cupid hangs in the background | 0 | 0.02 | 0.02 | 0.0 |
150
+ | 15 | A painting of Cupid hangs in the background | 0 | 0.02 | 0.01 | 0.0 |
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+ | 16 | A painting of Cupid | 0 | 0.02 | 0.02 | 0.0 |
152
+ | 17 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
153
+ | 18 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.01 | 0.0 |
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+ | 19 | A painting of Cupid | 0 | 0.01 | 0.01 | 0.0 |
155
+ | 20 | A painting of Cupid | 0 | 1 | 0.68 | 0.0 |
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+ +-----+--------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
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+
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+ System Score: 0.0
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+ --------------------------------------------------
160
+
161
+ --------------------------------------------------
162
+ Question (with Run Index): A later commentary on this work utilizes[0] an arithmetic function that
163
+ equals[1] five for numbers greater than[2] 57.[3] According to this work, differences[4] in social
164
+ context would mean that we[5] could not understand a lion even[6] if it spoke English.[7] This work
165
+ struggles to come up with[8] a definition for a word that would[9] encompass all of chess, catch,
166
+ solitaire,[10] and Duck Duck Goose, eventually[11] settling on their connection through[12] family
167
+ resemblance.[13] This work’s beetle-in-a-box thought[14] experiment refuted the possibility[15] of
168
+ private languages.[16] For 10 points, name this posthumously[17] published work by Ludwig
169
+ Wittgenstein.[18][19]
170
+ Gold Answer: Philosophical Investigations
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+
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+ +-----+------------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
173
+ | Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution |
174
+ +-----+------------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
175
+ | 0 | suppose that no one can look inside another's box | 0 | 0.0 | 0.0 | 0.0 |
176
+ | 1 | Wittgenstein's beetleAnother | 0 | 0.01 | 0.01 | 0.0 |
177
+ | 2 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 |
178
+ | 3 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 |
179
+ | 4 | Wittgenstein | 0 | 0.02 | 0.02 | 0.0 |
180
+ | 5 | it follows that we cannot talk about it | 0 | 0.0 | 0.0 | 0.0 |
181
+ | 6 | Everybody understands what we mean when we talk about playing a game | 0 | 0.0 | 0.0 | 0.0 |
182
+ | 7 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 |
183
+ | 8 | . | 0 | 0.0 | 0.0 | 0.0 |
184
+ | 9 | words that philosophers use to frame such problems and questions. | 0 | 0.0 | 0.0 | 0.0 |
185
+ | 10 | if something is private, it is not (and cannot be) a language | 0 | 0.0 | 0.0 | 0.0 |
186
+ | 11 | the beetle as a private object "drops out of consideration as irrelevant". | 0 | 0.0 | 0.0 | 0.0 |
187
+ | 12 | supposing that each person has something completely different in their boxes | 0 | 0.0 | 0.0 | 0.0 |
188
+ | 13 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 |
189
+ | 14 | experiment | 0 | 0.0 | 0.0 | 0.0 |
190
+ | 15 | Wittgenstein | 0 | 0.0 | 0.0 | 0.0 |
191
+ | 16 | Wittgenstein | 0 | 0.0 | 0.0 | 0.0 |
192
+ | 17 | Wittgenstein | 0 | 0.0 | 0.0 | 0.0 |
193
+ | 18 | game of solitaire | 0 | 0.0 | 0.0 | 0.0 |
194
+ | 19 | game of solitaire | 0 | 1 | 0.97 | 0.0 |
195
+ +-----+------------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
196
+
197
+ System Score: 0.0
198
+ --------------------------------------------------