Upload nathantablang/question-answering-qa-may-12-tablang-LOCAL/logs_2024-09-28 00:10:35.826350.txt with huggingface_hub
Browse files
nathantablang/question-answering-qa-may-12-tablang-LOCAL/logs_2024-09-28 00:10:35.826350.txt
ADDED
@@ -0,0 +1,198 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
--------------------------------------------------
|
2 |
+
Question (with Run Index): It’s not Charlie Parker, but a musician[0] with this surname arranged
|
3 |
+
excerpts[1] from Stravinsky’s The Firebird[2] and the “Goin’ Home” theme from the[3] New World
|
4 |
+
Symphony.[4] Another album by a musician with this[5] surname features chants from the[6] Bhagavad
|
5 |
+
Gita and solos by Pharoah[7] Sanders.[8] A song by a musician with this surname[9] features Elvin
|
6 |
+
Jones on timpani[10] and gong.[11] A set of chord substitutions in a ii-V-I[12] (“two-five-one”)
|
7 |
+
progression that[13] proved challenging for pianist[14] Tommy Flanagan are called this surname’s[15]
|
8 |
+
“changes.” For 10 points, give[16] this surname of harpist Alice and[17] her husband, the
|
9 |
+
saxophonist behind[18] the album Giant Steps.[19][20]
|
10 |
+
Gold Answer: Coltrane
|
11 |
+
|
12 |
+
+-----+-----------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
13 |
+
| Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution |
|
14 |
+
+-----+-----------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
15 |
+
| 0 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.03 | 0.03 | 0.0 |
|
16 |
+
| 1 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.02 | 0.02 | 0.0 |
|
17 |
+
| 2 | It’s not Charlie Parker | 0 | 0.04 | 0.04 | 0.0 |
|
18 |
+
| 3 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.03 | 0.03 | 0.0 |
|
19 |
+
| 4 | It’s not Charlie Parker | 0 | 0.04 | 0.03 | 0.0 |
|
20 |
+
| 5 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.05 | 0.0 |
|
21 |
+
| 6 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.03 | 0.03 | 0.0 |
|
22 |
+
| 7 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.03 | 0.0 |
|
23 |
+
| 8 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.03 | 0.0 |
|
24 |
+
| 9 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.03 | 0.0 |
|
25 |
+
| 10 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.03 | 0.0 |
|
26 |
+
| 11 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.03 | 0.0 |
|
27 |
+
| 12 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.03 | 0.0 |
|
28 |
+
| 13 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.06 | 0.03 | 0.0 |
|
29 |
+
| 14 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.07 | 0.04 | 0.0 |
|
30 |
+
| 15 | It’s not Charlie Parker | 0 | 0.05 | 0.03 | 0.0 |
|
31 |
+
| 16 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.06 | 0.03 | 0.0 |
|
32 |
+
| 17 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.04 | 0.02 | 0.0 |
|
33 |
+
| 18 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.05 | 0.02 | 0.0 |
|
34 |
+
| 19 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 0.07 | 0.03 | 0.0 |
|
35 |
+
| 20 | It’s not Charlie Parker, but a musician with this surname arranged excerpts | 0 | 1 | 0.39 | 0.0 |
|
36 |
+
+-----+-----------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
37 |
+
|
38 |
+
System Score: 0.0
|
39 |
+
--------------------------------------------------
|
40 |
+
|
41 |
+
--------------------------------------------------
|
42 |
+
Question (with Run Index): An equation used in this technique relates[0] the resolving power of one
|
43 |
+
component[1] to the mass-transfer, diffusion,[2] and Eddy-diffusion effects that[3] may result in
|
44 |
+
the broadening of[4] peaks.[5] The low-specificity of one component[6] of this technique is
|
45 |
+
referred to as[7] that component’s “general problem.”[8] A simple variant of this technique[9]
|
46 |
+
involves dipping a piece of paper[10] in iodine and visualizing the paper[11] with UV light.[12]
|
47 |
+
The time a compound spends attached[13] to a column in this technique is referred[14] to as the
|
48 |
+
retention time.[15] For 10 points, name this technique in[16] which an analyte in a mobile
|
49 |
+
phase[17] is separated based on its ability[18] to interact with a stationary phase.[19][20]
|
50 |
+
Gold Answer: chromatography
|
51 |
+
|
52 |
+
+-----+---------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
53 |
+
| Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution |
|
54 |
+
+-----+---------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
55 |
+
| 0 | retention time | 0 | 0.02 | 0.02 | 0.0 |
|
56 |
+
| 1 | velocity | 0 | 0.0 | 0.0 | 0.0 |
|
57 |
+
| 2 | retention time | 0 | 0.0 | 0.0 | 0.0 |
|
58 |
+
| 3 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 |
|
59 |
+
| 4 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 |
|
60 |
+
| 5 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 |
|
61 |
+
| 6 | The velocity of each component depends on its chemical nature | 0 | 0.0 | 0.0 | 0.0 |
|
62 |
+
| 7 | Paper chromatographyPaper | 1 | 0.05 | 0.05 | 0.05 |
|
63 |
+
| 8 | Paper chromatographyPaper | 1 | 0.01 | 0.01 | 0.01 |
|
64 |
+
| 9 | Paper chromatographyPaper | 1 | 0.03 | 0.03 | 0.03 |
|
65 |
+
| 10 | Paper | 0 | 0.07 | 0.06 | 0.0 |
|
66 |
+
| 11 | Paper | 0 | 0.0 | 0.0 | 0.0 |
|
67 |
+
| 12 | Paper chromatographyPaper | 1 | 0.0 | 0.0 | 0.0 |
|
68 |
+
| 13 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 |
|
69 |
+
| 14 | Paper chromatographyPaper | 1 | 0.1 | 0.08 | 0.08 |
|
70 |
+
| 15 | Paper chromatographyPaper | 1 | 0.1 | 0.07 | 0.07 |
|
71 |
+
| 16 | Paper chromatographyPaper | 1 | 0.01 | 0.01 | 0.01 |
|
72 |
+
| 17 | Paper chromatographyPaper | 1 | 0.0 | 0.0 | 0.0 |
|
73 |
+
| 18 | paper chromatography | 1 | 0.0 | 0.0 | 0.0 |
|
74 |
+
| 19 | Paper chromatographyPaper | 1 | 0.02 | 0.01 | 0.01 |
|
75 |
+
| 20 | Paper chromatographyPaper | 1 | 1 | 0.64 | 0.64 |
|
76 |
+
+-----+---------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
77 |
+
|
78 |
+
System Score: 0.92
|
79 |
+
--------------------------------------------------
|
80 |
+
|
81 |
+
--------------------------------------------------
|
82 |
+
Question (with Run Index): The 10th century Suda encyclopedia records[0] that this figure was
|
83 |
+
either[1] killed by Tantalus or committed suicide[2] after King Minos took him to Crete.[3] In the
|
84 |
+
Argonautica, this figure accuses[4] Eros of cheating after losing to[5] him in a game of dice.[6]
|
85 |
+
Ancient art typically depicts this figure[7] rolling a hoop and holding a[8] cockerel.[9] Hermes
|
86 |
+
gives either two horses that[10] are fast enough to run on water or[11] a golden vine to this
|
87 |
+
figure’s father[12] Tros.[13] While he was herding sheep, an eagle[14] brought this figure from
|
88 |
+
Mount Ida[15] to Mount Olympus.[16] For 10 points, name this youth abducted[17] by Zeus to succeed
|
89 |
+
Hebe as cupbearer[18] to the gods.[19][20]
|
90 |
+
Gold Answer: Ganymede
|
91 |
+
|
92 |
+
+-----+-------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
93 |
+
| Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution |
|
94 |
+
+-----+-------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
95 |
+
| 0 | Hermes | 0 | 0.0 | 0.0 | 0.0 |
|
96 |
+
| 1 | Ganymede | 1 | 0.53 | 0.53 | 0.53 |
|
97 |
+
| 2 | Ganymede | 1 | 0.0 | 0.0 | 0.0 |
|
98 |
+
| 3 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 |
|
99 |
+
| 4 | Ganymede | 1 | 0.0 | 0.0 | 0.0 |
|
100 |
+
| 5 | Plato | 0 | 0.0 | 0.0 | 0.0 |
|
101 |
+
| 6 | Crete | 0 | 0.0 | 0.0 | 0.0 |
|
102 |
+
| 7 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 |
|
103 |
+
| 8 | Ganymede | 1 | 0.0 | 0.0 | 0.0 |
|
104 |
+
| 9 | Ganymede | 1 | 0.0 | 0.0 | 0.0 |
|
105 |
+
| 10 | Hermes | 0 | 0.0 | 0.0 | 0.0 |
|
106 |
+
| 11 | Zeus. | 0 | 0.0 | 0.0 | 0.0 |
|
107 |
+
| 12 | Zeus. | 0 | 0.0 | 0.0 | 0.0 |
|
108 |
+
| 13 | Zeus. | 0 | 0.0 | 0.0 | 0.0 |
|
109 |
+
| 14 | . | 0 | 0.0 | 0.0 | 0.0 |
|
110 |
+
| 15 | Zeus. | 0 | 0.0 | 0.0 | 0.0 |
|
111 |
+
| 16 | Zeus. | 0 | 0.0 | 0.0 | 0.0 |
|
112 |
+
| 17 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 |
|
113 |
+
| 18 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 |
|
114 |
+
| 19 | Ganymede by the German astronomer Simon Marius. | 1 | 0.0 | 0.0 | 0.0 |
|
115 |
+
| 20 | Ganymede by the German astronomer Simon Marius. | 1 | 1 | 0.47 | 0.47 |
|
116 |
+
+-----+-------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
117 |
+
|
118 |
+
System Score: 1.0
|
119 |
+
--------------------------------------------------
|
120 |
+
|
121 |
+
--------------------------------------------------
|
122 |
+
Question (with Run Index): A painting of Cupid hangs in the background[0] of a painting by this
|
123 |
+
artist[1] in which a man leans over a seated[2] woman holding sheet music.[3] In another painting
|
124 |
+
by this artist,[4] the central figure clutches her breast[5] as she looks up at a glass ball[6]
|
125 |
+
suspended from the ceiling by a blue[7] ribbon.[8] Many paintings by this artist depict[9] the same
|
126 |
+
corner of a studio, often[10] decorated with a large map, with a[11] window on the left wall.[12]
|
127 |
+
In one portrait, this artist used lead-tin[13] yellow for the dress of a woman[14] wearing a blue
|
128 |
+
apron and pouring[15] a jug.[16] For 10 points, name this Dutch Golden[17] Age painter of The
|
129 |
+
Milkmaid and Girl[18] with a Pearl Earring.[19][20]
|
130 |
+
Gold Answer: Johannes Vermeer
|
131 |
+
|
132 |
+
+-----+--------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
133 |
+
| Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution |
|
134 |
+
+-----+--------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
135 |
+
| 0 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.03 | 0.03 | 0.0 |
|
136 |
+
| 1 | A painting of Cupid hangs in the background | 0 | 0.01 | 0.01 | 0.0 |
|
137 |
+
| 2 | A painting of Cupid | 0 | 0.03 | 0.03 | 0.0 |
|
138 |
+
| 3 | A painting of Cupid | 0 | 0.02 | 0.02 | 0.0 |
|
139 |
+
| 4 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.01 | 0.0 |
|
140 |
+
| 5 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.01 | 0.01 | 0.0 |
|
141 |
+
| 6 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
|
142 |
+
| 7 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
|
143 |
+
| 8 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
|
144 |
+
| 9 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
|
145 |
+
| 10 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
|
146 |
+
| 11 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
|
147 |
+
| 12 | A painting of Cupid | 0 | 0.02 | 0.01 | 0.0 |
|
148 |
+
| 13 | A painting of Cupid hangs in the background | 0 | 0.01 | 0.01 | 0.0 |
|
149 |
+
| 14 | A painting of Cupid hangs in the background | 0 | 0.02 | 0.02 | 0.0 |
|
150 |
+
| 15 | A painting of Cupid hangs in the background | 0 | 0.02 | 0.01 | 0.0 |
|
151 |
+
| 16 | A painting of Cupid | 0 | 0.02 | 0.02 | 0.0 |
|
152 |
+
| 17 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.02 | 0.0 |
|
153 |
+
| 18 | A painting of Cupid hangs in the background of a painting by this artist | 0 | 0.02 | 0.01 | 0.0 |
|
154 |
+
| 19 | A painting of Cupid | 0 | 0.01 | 0.01 | 0.0 |
|
155 |
+
| 20 | A painting of Cupid | 0 | 1 | 0.68 | 0.0 |
|
156 |
+
+-----+--------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
157 |
+
|
158 |
+
System Score: 0.0
|
159 |
+
--------------------------------------------------
|
160 |
+
|
161 |
+
--------------------------------------------------
|
162 |
+
Question (with Run Index): A later commentary on this work utilizes[0] an arithmetic function that
|
163 |
+
equals[1] five for numbers greater than[2] 57.[3] According to this work, differences[4] in social
|
164 |
+
context would mean that we[5] could not understand a lion even[6] if it spoke English.[7] This work
|
165 |
+
struggles to come up with[8] a definition for a word that would[9] encompass all of chess, catch,
|
166 |
+
solitaire,[10] and Duck Duck Goose, eventually[11] settling on their connection through[12] family
|
167 |
+
resemblance.[13] This work’s beetle-in-a-box thought[14] experiment refuted the possibility[15] of
|
168 |
+
private languages.[16] For 10 points, name this posthumously[17] published work by Ludwig
|
169 |
+
Wittgenstein.[18][19]
|
170 |
+
Gold Answer: Philosophical Investigations
|
171 |
+
|
172 |
+
+-----+------------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
173 |
+
| Run | Guess | Correctness of Guess | Confidence | Buzz Probability | System Score Distribution |
|
174 |
+
+-----+------------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
175 |
+
| 0 | suppose that no one can look inside another's box | 0 | 0.0 | 0.0 | 0.0 |
|
176 |
+
| 1 | Wittgenstein's beetleAnother | 0 | 0.01 | 0.01 | 0.0 |
|
177 |
+
| 2 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 |
|
178 |
+
| 3 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 |
|
179 |
+
| 4 | Wittgenstein | 0 | 0.02 | 0.02 | 0.0 |
|
180 |
+
| 5 | it follows that we cannot talk about it | 0 | 0.0 | 0.0 | 0.0 |
|
181 |
+
| 6 | Everybody understands what we mean when we talk about playing a game | 0 | 0.0 | 0.0 | 0.0 |
|
182 |
+
| 7 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 |
|
183 |
+
| 8 | . | 0 | 0.0 | 0.0 | 0.0 |
|
184 |
+
| 9 | words that philosophers use to frame such problems and questions. | 0 | 0.0 | 0.0 | 0.0 |
|
185 |
+
| 10 | if something is private, it is not (and cannot be) a language | 0 | 0.0 | 0.0 | 0.0 |
|
186 |
+
| 11 | the beetle as a private object "drops out of consideration as irrelevant". | 0 | 0.0 | 0.0 | 0.0 |
|
187 |
+
| 12 | supposing that each person has something completely different in their boxes | 0 | 0.0 | 0.0 | 0.0 |
|
188 |
+
| 13 | Wittgenstein's beetleAnother | 0 | 0.0 | 0.0 | 0.0 |
|
189 |
+
| 14 | experiment | 0 | 0.0 | 0.0 | 0.0 |
|
190 |
+
| 15 | Wittgenstein | 0 | 0.0 | 0.0 | 0.0 |
|
191 |
+
| 16 | Wittgenstein | 0 | 0.0 | 0.0 | 0.0 |
|
192 |
+
| 17 | Wittgenstein | 0 | 0.0 | 0.0 | 0.0 |
|
193 |
+
| 18 | game of solitaire | 0 | 0.0 | 0.0 | 0.0 |
|
194 |
+
| 19 | game of solitaire | 0 | 1 | 0.97 | 0.0 |
|
195 |
+
+-----+------------------------------------------------------------------------------+----------------------+------------+------------------+---------------------------+
|
196 |
+
|
197 |
+
System Score: 0.0
|
198 |
+
--------------------------------------------------
|